There is a particular pleasure in a recital disc that sends you scurrying to look up composers you half-know or don’t know at all. Fantasia, from saxophonist Kyle…

There is a particular pleasure in a recital disc that sends you scurrying to look up composers you half-know or don’t know at all. Fantasia, from saxophonist Kyle Horch and pianist Anya Fadina, is one such album: six works that have slipped through the cracks of the saxophone repertoire, whether because the ink is barely dry or because history simply looked the other way. On this evidence, history owes them an apology

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